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Our Kitchen Sink’s Guide to SXSW

sxsw_tx_bbqThere’s nothing like South By Southwest. Music bleeding from every wall, forming the ultimate live mixed tape of every musical style that will try, and probably fail, to live up to any sort of commercial expectation. Food- BBQ ribs, pork, brisket, sausage- forming the ultimate gastro mixed tape of authentic American tastes that will try, and probably fail, to keep you out of a shoddy port-o-poddy out back at Stubb’s. Booze- Shiner, Lone Star, Dixie, and whatever other alcoholic combo floats your proverbial boat that will form the ultimate fuel to take in said music and BBQ while trying, and probably failing, to avoid the inevitable hangover, barf session, exhaustion collapse. Throw in the elements of St Patrick’s Day, and the first weekend of the NCAA basketball tournament, and you’ve got a full plate of ingredients that will alternately challenge and enhance one’s enjoyment of all of the action.

Mad props to the organizers of SXSW for developing their website throughout the years to accommodate new technology. I have assembled my ideal schedule on their website, which you can then publish and share with your friends. Add a dash of Twitter and a pinch of Foursquare, and the technology of these social networking methods is actually making the festival more enjoyable as opposed to just creating noise. I freely admit that in putting together this schedule, I am operating in a vacuum, not accounting for three huge factors- the fact that inebriation is not only a possibility but key to survival, geography (I’m not pulling up google maps to see how far Jaime’s is from Beauty Bar), and the NCAAs, where a good upset in the making can derail just about any jaunt across town to see your favorite buzz band. All things being equal, here’s my plan:

Wednesday, March 17

St Patrick’s Day. In Austin. During SXSW. Whoa. Let’s start young and work our way up. My evening begins at Submerged with Kitten, a new band headed by 15 year old rock songstress Chloe Chaidez. I saw her first band when she was about 12 (!) at a middle school in Pasadena as a favor and was amazed even then that this girl’s potential. The talent was raw, to be sure, but then again so was the school’s PA system. If you listen to the tracks on the band’s myspace you can hear that she’s come a long way already. Not sure where the story will end up but the journey is damn intriguing. The ultimate new school to old school transition will then take me to Stubb’s for Sharon Jones & The Dap Kings. Sharon stole an early slot at Bonnaroo a couple years ago, and the combo of hearing some great soul music at my favorite Austin venue is too good to pass up. 90% chance I will be balancing a plate of ribs with a smaller plate of pecan pie on top of a can of Shiner Bock during this performance. From there a few shows interest me- Born Ruffians at The Phoenix, Fanfarlo at the Galaxy Room- but who am I kidding? I’m staying at Stubb’s to see the new Broken Bells collab. Danger Mouse is a dude that just intrigues me. From The Grey Album, you just knew this guy was on to something.

From there, I picture myself stumbling over to Emo’s for another collaboration, Distant Relatives. This one features Nas and Damian Marley. From that point in the evening on, all bets are off- I could equally picture myself eating pizza on 6th Street, going to see Flying Lotus at The Phoenix, or passing out in a puddle of my own dirt and drool. There is no point in utilizing a schedule after midnight.

Thursday, March 18

The first day of the NCAAs. I feel like I’m going to skip any daytime showcases and parties and become a shut-in at my hotel room watching games. Maybe a bar with a decent TV will be my destination. At some point I need to head over to the convention hall for Flatstock (trust me, it’s worth it). By 9:30 I should be ready to return to the band weasel world, and I’ll start with a double-dose of talented black ladies whose names begin with two consonants- Nigerian Nneka at the Day Stage Cafe at 9:30, then to Latitude 30 at 10:30 for VV Brown. From there it’s back to the scene of last night’s crimes at Stubb’s for Band Of Horses, one of those bands I’ve admired for a while but never seen live. Man Man at something called the Billboard Bungalow or Dr Dog at the Austin Convention Center is a distinct possibility, but more likely is one of two must-see bands playing at the festival- The xx at the Mohawk Patio. Their album has been in constant rotation for me recently, but I’ll be curious to see if they can translate the vibe to the live stage.

Friday, March 19

At this point in the week, keeping a schedule has become less of a priority, replaced by mere survival. It’s hard to keep the energy up to scamper all over town to see random baby bands, and in truth the best bet is to park your ass at a particular venue with a strong line up and stay there throughout the night. Stubb’s or La Zona Rosa are always safe bets. If a shot of adrenaline runs through me, I envision seeing some combination of the following shows: Black Joe Lewis & The Honeybears at 8PM, Austin Music Hall; the second must-see band in Austin, Local Natives at 9PM, Galaxy Room; She & Him (their music does little for me, but ohhh, Zooey…) 10PM @ Lustre Pearl; Deer Tick, 11PM @ Red Eyed Fly; The Cool Kids , 11:30PM @ Mohawk Patio; Rye Rye, 12AM @ Beauty Bar. Or the opportunity to see a band called Gay Witch Abortion at the Soho Lounge may prove to be irresistible. This could be my only chance.

Saturday, March 20

To be completely honest, looking at Saturday’s schedule, there’s not much there that will keep me in town. By Saturday I usually get that feeling you have when you’re leaving Las Vegas, the gut-punch reality that you just lost all your money over a weekend you barely remember. The dread isn’t as severe after a long weekend in Austin, but your body is officially offended by all of the intoxicants and fatty meats you have been filling it with. So while my eyes are seeing Matt Pond PA, Major Lazer, No Age etc, my brain is fantasizing about a home cooked meal, a glass of ice water, and my own bed at this point.

Rock on.

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DEER TICK ON VIMBY! The cure to my bandweasel blues.

If you’ve been a band weasel/music industry employee for as long as I have, it’s super duper easy to become a cynical bastard.  If you go to enough shows because you have to as opposed to because you want to, it’s hard to avoid the overwhelming feeling that you are watching 5 dudes standing there playing their instruments.  Not much to see here folks… So you can imagine my surprise when I watched the latest VIMBY music segment on Deer Tick and found myself tapping my left toe, enjoyed the soundbytes from the interview, and started cruising around the net to hear and see more.  Let’s be clear, I was familiar with the band prior to the video (I green lit VIMBY preditor extraordinaire Elizabeth Spear to produce the segment) but it took me watching her compelling segment to really separate the band from all the other bands with “Deer” in their name.  Move over, Deerhunter and Deerhoof, there’s a new sheriff in town. Damn if watching this doesn’t make you want to bust out a Shiner Bock at your desk.

…and after you’re done rocking out with Elizabeth and the band in Austin, check out more tracks at hypem.

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Shooting The Sh!t With Black Joe Lewis Part Five - THE FINALE!

Welcome back to our daily microseries “Shooting The Sh!t with Black Joe Lewis.” It’s been a fun ride, and here is the final webisode. As you could imagine, crazy sh!t happens on the road when you’re a touring rock n’ roll band. Here BJL breaks down his craziest road story. It involves a hooker, ’nuff said.

Happy 4th Of July. Don’t forget, a true American is not afraid to Tell ‘Em What Your Name Is!



Here’s Part One:



Here’s Part Two:



Here’s Part Three:



Here’s Part Four:



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Shooting The Sh!t With Black Joe Lewis Part Four

Welcome back to our daily microseries “Shooting The Sh!t with Black Joe Lewis.” Those that know Joe know that his music is the real deal. Here he talks about some of the stories that have inspired songs on his fantasticTell ‘Em What Your Name Is!


Here’s Part One:



Here’s Part Two:



Here’s Part Three:



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Shooting The Sh!t With Black Joe Lewis Part Three

Welcome back to our daily microseries “Shooting The Sh!t with Black Joe Lewis.” Today’s webisode centers around musical inspiration, enduring physical abuse from women, and performance enhancing drugs. Only one of those statements is made up.

Don’t forget to Tell ‘Em What Your Name Is!, the perfect soundtrack to your July 4th weekend.



Here’s Part One:



Here’s Part Two:



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Shooting The Sh!t With Black Joe Lewis Part Two

Here’s part two of our daily microseries with the one, the only Black Joe Lewis. We shoot the proverbial poop about musical influences on this one. If one hears his album Tell ‘Em What Your Name Is!, one might think that Joe exclusively listens to Wilson Pickett, James Brown and Otis Redding. One would be quite wrong.



Here’s Part One:



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Our Kitchen Sink Exclusive! Shooting The Sh!t With Black Joe Lewis

Over here at Da’ Sink we are happy to post the first video in our new microseries “Shooting The Sh!t”. Our first victim subject is retro soul king Black Joe Lewis. We shot the proverbial sh!t with him after he performed with his band the Honeybears at the Troubadour in LA, chopped up the best moments, are going to deliver them to you as a five course meal every day this week. If you’ve only listened to “Boom Boom Pow” this year and are somehow not familiar with Joe, RUN don’t stop to your local download website or big box appliance outlet and pick up his fantastic “Tell ‘Em What Your Name Is!” While you wait for the downloads to complete check out part one of our interview with him, where he talks about the birth of the Honeybears, opening for Little Richard, and meeting Britt from Spoon at a local gig in Austin. Come back tomorrow for your next helping of Black Joe Lewis.



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Song O’ The Day: Black Lips “Drugs”

I love this VIMBY video of the Lips in Philly. Spending time in a market other than NYC or LA yields great results; many of our best music segments are in markets such as Philadelphia, Nashville, Austin, etc. These dudes have a certain swagger that is just rock n’ roll so they get props from me.

Black Lips performing “Drugs” at the Variety Playhouse, Atlanta, GA- 2.27.09



Black Lips on Myspace

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Puma and VIMBY @ SXSW

Puma cruised through the SXSW festival this year with a giant Puma Clyde.  A who’s who of artists from the festival autographed the shoe for the charity Soles4Soles.org.  VIMBY caught it all on tape and broke it into two parts ’cause mad heads ended up signing the shoe… even the legendary Quincy Jones.

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VIMBY’s Guide To SXSW Day 3

At this point, you probably need some healthy food, a non-alcoholic beverage and some March Madness instead of Crappy Bandness. These symptoms are normal. Don’t fret, your SXSW experience is coming to a close soon. For now, go here:

Friday March 20th

SXSW Live (The Bat Bar) Austin Convention Center
(500 E Cesar Chavez St) (All Ages)
Ben Harper & RELENTLESS7 5:00 p.m. Los Angeles CA Rock

6-9PM eat more BBQ; get a double espresso.

Stubb’s
(801 Red River St) (All Ages)
Silversun Pickups 9:00 p.m. Los Angeles CA Rock

Aces Lounge
(222 E 6th St) (21+)
Cut Off Your Hands 10:00 p.m. Auckland NEW ZEALAND Rock

Emo’s Main Room
(603 Red River St) (All Ages)
VICE Records
The Japanese Motors 11:00 p.m. Costa Mesa CA Rock
Black Lips 12:00 a.m. Atlanta GA Rock

Club de Ville
(900 Red River St) (21+)
Biz 3
Lady Sovereign 12:00 a.m. London UK-ENGLAND Hip-Hop
Asher Roth 12:30 a.m. Morrisville PA Hip-Hop
Kid Sister 1:00 a.m. Chicago IL Hip-Hop

Back Alley Social
(303 W 5th St) (21+)
Mickey Factz 12:00 a.m. Bronx NY Hip-Hop
Brother Reade 12:30 a.m. Winston Salem NC Hip-Hop
Busdriver 1:15 a.m. Los Angeles CA Hip-Hop